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Foremost Film
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Movie Reviews
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Contact
Movie Features
Movie Reviews
About
Contact
‘The Balconettes’ Review: Female Friendship Sizzles and Shines in Noémie Merlant’s Genre-Bending Second Feature
Colton Peregoy 8/20/25 Colton Peregoy 8/20/25

‘The Balconettes’ Review: Female Friendship Sizzles and Shines in Noémie Merlant’s Genre-Bending Second Feature

Merlant once again re-teams with Céline Sciamma (the film’s co-writer) to serve up an exceptionally feminist genre mashup centered around a trio of longtime girlfriends who rise against the men fighting to control them amid a midsummer heatwave in the South of France.

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‘The Empire’ Review: A Simultaneously Zany and Inert Reworking of the Sci-Fi Space Opera
Colton Peregoy 3/4/25 Colton Peregoy 3/4/25

‘The Empire’ Review: A Simultaneously Zany and Inert Reworking of the Sci-Fi Space Opera

French auteur Bruno Dumont’s Berlinale-winner The Empire is a genre-mashing comedy that is light on humor but heavy on impressive craftsmanship.

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‘Endless Summer Syndrome’ Review: Family Vacation Leads to Ruination in a Thorny, Alluring French Thriller
Colton Peregoy 12/12/24 Colton Peregoy 12/12/24

‘Endless Summer Syndrome’ Review: Family Vacation Leads to Ruination in a Thorny, Alluring French Thriller

The feature debut from Prague-based Iranian filmmaker Kaveh Daneshmand, Endless Summer Syndrome compellingly probes a seemingly normal upper-middle-class French family to explore the mistrust and deceit that lies just below the surface.

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‘Daaaaaalí!’ Review: Quentin Dupieux Pays Homage to One of the 20th Century’s Kookiest Personalities
Colton Peregoy 10/3/24 Colton Peregoy 10/3/24

‘Daaaaaalí!’ Review: Quentin Dupieux Pays Homage to One of the 20th Century’s Kookiest Personalities

In a playful ode to his idols, Salvador Dalí and Luis Buñuel, Dupieux concocts one of the best films of his increasingly prolific career.

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‘Red Island’ Review: Youth Blooms as Colonialism Wilts in 1970s Madagascar
Colton Peregoy 8/14/24 Colton Peregoy 8/14/24

‘Red Island’ Review: Youth Blooms as Colonialism Wilts in 1970s Madagascar

In his follow-up to the critically lauded 2017 film BPM (Beats Per Minute), French writer-director Robin Campillo spectacularly excavates his own childhood experiences growing up in post-colonial Africa.

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