Enrapturing in its portrayal of the natural world yet uncanny in its ominous tone, Evil Does Not Exist works as the director’s most restrained and lyrical film to date.

Marija Kavtaradzė’s Sundance-winning second feature sensitively probes the blossoming relationship between a dancer and the asexual sign language interpreter she has fallen for.

For his first foray into making narrative feature filmmaking, Paul Duane creates an atmospheric, enigmatic, and at times bewildering horror film uniquely interwoven with traditions of Irish lore.

Enchantingly charming, Riddle of Fire is like a breath of fresh air, a throwback to children’s adventure films of yesteryear, with the raucous addition of dirt bikes, paintball guns, and foul-mouthed youngsters.

French writer/director Thomas Cailley’s sophomore feature pushes the boundaries of genre-bending cinema while also delivering an entertaining final product that arthouse and mainstream moviegoers alike can authentically appreciate.

The latest work from Austrian filmmaker Jessica Hausner, Club Zero is a no-frills black comedy with lofty ideas that are never fully brought to life on screen, making for an ultimately frustrating rumination on concepts of faith and consumption and how they will impact future generations.

Italian filmmaker Giacomo Abbruzzese’s feature debut treads familiar waters with a reinvigorated perspective, condemning the continued influences of Neocolonialism through a kaleidoscopic lens.

The Mexican writer/director’s sophomore feature effort plays out over an emotionally charged day in the life of a family facing loss, with its main perspective channelled through the eyes of a seven-year-old girl.

A Ritcher scale-breaking earthquake destroys Seoul in South Korea’s entertaining and thoughtful Academy Award submission for Best International Feature, which makes its North American theatrical debut on December 8.

Youth (Spring) places its observational focus on the highs and lows of the blossoming young folks who find work in the soul-sapping sweatshops of Zhili, China.

Nigerian writer/director C.J. 'Fiery' Obasi serves up a truly timeless and visionary perspective on the clashes between tradition and modernity with his latest feature, which made its world premiere at the Sundance Film Festival earlier this year and is now hitting US theaters.

Warwick Thornton follows up 2017’s Sweet Country with another exploration of Aboriginal experiences in Australia, this time focusing on a World War II-era Catholic monastery that receives an orphaned Aboriginal boy in the middle of the night.

The Settlers is one of cinema's most searing explorations of colonial power in recent memory and a shining debut from Chilean filmmaker Felipe Gálvez.

A healing retreat takes unexpected turns for the central family in Seagrass, transforming into an exploration of self-identity through the lens of a tension-building family drama.

Quietly sultry with a contemporary poignancy, Petzold makes one of his most intimate character studies yet.

Hlynur Pálmason’s third feature finds the filmmaker excavating the nuanced history of faith and spirituality between Denmark and its Icelandic outposts of the late-19th century.

Pietro Marcello’s latest work serves as an homage to bygone eras of handcrafted creativity, centering around the upbringing of a luminescent and brilliant young woman.