Nigerian writer/director C.J. 'Fiery' Obasi serves up a truly timeless and visionary perspective on the clashes between tradition and modernity with his latest feature, which made its world premiere at the Sundance Film Festival earlier this year and is now hitting US theaters.

Warwick Thornton follows up 2017’s Sweet Country with another exploration of Aboriginal experiences in Australia, this time focusing on a World War II-era Catholic monastery that receives an orphaned Aboriginal boy in the middle of the night.

The Settlers is one of cinema's most searing explorations of colonial power in recent memory and a shining debut from Chilean filmmaker Felipe Gálvez.

A healing retreat takes unexpected turns for the central family in Seagrass, transforming into an exploration of self-identity through the lens of a tension-building family drama.

Quietly sultry with a contemporary poignancy, Petzold makes one of his most intimate character studies yet.

Hlynur Pálmason’s third feature finds the filmmaker excavating the nuanced history of faith and spirituality between Denmark and its Icelandic outposts of the late-19th century.

Pietro Marcello’s latest work serves as an homage to bygone eras of handcrafted creativity, centering around the upbringing of a luminescent and brilliant young woman.

Filmmaker Jonathan Glazer's latest is as technically innovative as it is viscerally disturbing, creating a vision of existential evil unlike any Holocaust movie ever seen.

The latest from Finnish writer/director Jalmari Helander, Sisu is a riotous viewing experience for any audience prepared for a movie about a man whose relentless will to live leads to a ton of outrageously comical Nazi deaths.